The following table contains my "MBA-256" pen assignments.
It is based on the pen assignments developed for Gabor+Popper Architects by Joanne Lang
and Roma Romanyuk, and follows the logic they used back in the days of 16 color CAD, namely
that the brighter a color appears the heavier its assigned line-weight. The original 16
colors and their assignments remain, but the logic is extended to #249 on the
Windows palette, since I use many more layers in a single file. I've chosen to take advantage of screening capabilities, and assigned
them to the last six (gray) colors.
| Colors 1-19 | Colors 20-249 | Colors 250-255 | ||||||
| Color | Pen Name | Lineweight | Color ends in | Pen Name | Lineweight | Color | Screening | Lineweight |
| # | (mm.) | # | (mm.) | # | % | (mm.) | ||
| 0 | xbold | 0.600 | 250 | 30% | 0.150 | |||
| 1 | bold | 0.400 | 1 | bold | 0.400 | 251 | 40% | 0.150 |
| 2 | med | 0.250 | 2 | med | 0.250 | 252 | 50% | 0.150 |
| 3 | xbold | 0.600 | 3 | fine | 0.150 | 253 | 60% | 0.150 |
| 4 | med | 0.250 | 4 | fine | 0.150 | 254 | 70% | 0.150 |
| 5 | fine | 0.150 | 5 | fine | 0.150 | 255 | 80% | 0.150 |
| 6 | fine | 0.150 | 6 | xfine | 0.100 | |||
| 7 | fine | 0.150 | 7 | xfine | 0.100 | |||
| 8 | bold | 0.400 | 8 | xfine | 0.100 | |||
| 9 | fine | 0.150 | 9 | xfine | 0.100 | |||
| 10 | xfine | 0.100 | ||||||
| 11 | xbold | 0.600 | ||||||
| 12 | xbold | 0.600 | ||||||
| 13 | bold | 0.400 | ||||||
| 14 | med | 0.250 | ||||||
| 15 | xfine | 0.100 | ||||||
| 16 | fine | 0.150 | ||||||
| 17 | fine | 0.150 | ||||||
| 18 | fine | 0.150 | ||||||
| 19 | fine | 0.150 | ||||||